noli-me-tangere

noli-me-tangere (plural noli-me-tangeres)

1. Alternative form of noli me tangere
   • 1601, C[aius] Plinius Secundus [i.e., Pliny the Elder], “[Book XXV.] Of Pimpernell, Named Anagallis and Corchoros. […].”, in Philemon Holland, transl., The Historie of the World. Commonly Called, The Naturall Historie of C. Plinius Secundus. […], 2nd tome, London: […] Adam Islip, published 1635, →OCLC, page 238:

     After the ſame manner Ariſtolochia together with Cyperus, healeth the ſtinking and illfavored ulcer of the noſe, called Noli-me-tangere.

   • 1828, [Edward Bulwer-Lytton], chapter III, in Pelham; or, The Adventures of a Gentleman. […], volume I, London: Henry Colburn, […], →OCLC, page 21:

     There was also Mr. Wormwood, the noli-me-tangere of literary lions—an author who sowed his conversation not with flowers but thorns.

   • 1860, Nathaniel Hawthorne, “The Emptiness of Picture-galleries”, in The Marble Faun: Or, The Romance of Monte Beni. […], volume II, Boston, Mass.: Ticknor and Fields, →OCLC, page 133:

     Half of the other pictures are Magdalens, Flights into Egypt, Crucifixions, Depositions from the Cross, Pietas, Noli-me-tangeres, or the Sacrifice of Abraham, or martyrdoms of saints, originally painted as altar-pieces, or for the shrines of chapels, and wofully lacking the accompaniments which the artist had in view.